Photo portfolio

Photography runs alongside my coaching practice as a way of seeing the world. Below is a selection of recent work across three categories — portraits, landscapes, and the looser editorial pieces that don't fit neatly into either camp.

Minimalist photography portfolio layout with framed prints on a white wall

Portraits

The portrait work grew out of coaching. Clients would finish a transformative stretch of sessions and want something to mark the shift — not a posed studio headshot, but something quieter that caught them in a natural moment. I started offering informal portrait sessions to willing clients, shot in their own spaces with available light.

These days the portrait bookings come from outside the coaching work too. I shoot two to three portrait sessions a month, usually outdoors or at home, almost always in natural light. The goal is never perfection — it's presence.

Camera lens with shallow depth of field creating a soft bokeh background

Landscapes

I live in mountain country, which makes landscape work feel less like a choice and more like a gravitational pull. Most of these are shot on morning walks — the light between 6 and 8am here is extraordinary for about nine months of the year. I carry a single prime lens and let the constraints shape the frame.

The landscape pieces are available as prints through the online shop. Sizes range from 8x10 to 24x36, printed on archival cotton rag paper by a local fine-art printer.

Sweeping landscape photograph with golden morning light over mountain ridges

Editorial

A few times a year I take on editorial work — brand shoots for small businesses, author portraits for book covers, environmental portraits for local publications. The editorial pieces tend to be more structured, but I still work with available light wherever possible and keep the feeling grounded rather than glossy.

Recent editorial clients include a regional magazine, three independently published authors, a retreat centre, and a handful of product-based small businesses who wanted lifestyle imagery that didn't look like stock.

Moody editorial photograph with dramatic natural lighting through window blinds

Gear and process

I keep it simple. A single mirrorless body and two prime lenses cover nearly everything. Post-processing is minimal: exposure correction, a slight warm tone, and gentle grain. The work is meant to feel like a memory, not a magazine spread.

Prints and licensing

Landscape prints ship from Sarasota via USPS. Editorial and portrait licensing is quoted per use. For anything print or licensing related, email [email protected] with what you're looking for.